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“For us it’s more specific than that: There is no moment in which the Cold War was hotter for spies than the Reagan years.
And that third confirmation that the ‘80s are alive and well, particularly fashion-wise?
That appeared in the Times just six months ago, in April, 2016.
A pop-punk remake of “The Boys of Summer” was even a hit in 2003; to make that fact even more ‘80s, it was recorded by a band called The Ataris. The number of ‘80s revivalist movies or reboots released that year — Hot Tub Time Machine, Wall Street: Money Never Sleeps, Nightmare on Elm Street, The Karate Kid, Tron: Legacy, Clash of the Titans, The A-Team — provided the evidence of oversaturation. T.-like fingers still seem to be touching almost every form of popular entertainment.
An article in the Certainly a fair amount of ‘90s nostalgia has taken hold during the 2010s, as Fresh Off the Boat, Fuller House, the promise of Clueless coming to Broadway, renewed interest in the O. Simpson case, and the triumphant return of the choker can attest, not to mention practically every Buzz Feed listicle ever written. Look at TV, where The Americans, Red Oaks, Halt and Catch Fire, The Goldbergs, Deutschland 83, Stranger Things, and the strongest episode of Black Mirror season three, the 1987-set “San Junipero,” all take us back to the time of the Back to the Future trilogy. Robot, which often references the era, or current and in-development TV reboots like Mac Gyver, Lethal Weapon, Magnum, P.
(But not, for the record, longer than Duran Duran’s career, which is still going relatively strong.) A fondness for the era of synth-pop first emerged like clockwork, right on America’s usual nostalgia schedule: roughly 20 years after the ‘80s ended.
Like the 1950s fascination that swept through the 1970s (see: American Graffiti, Happy Days, Grease), the obsession with the ‘60s that coursed through the ‘80s (The Big Chill, The Wonder Years, , the rise of classic rock), and the presence of the 1970s in the pop culture of the 1990s (Dazed and Confused, That ‘70s Show, Boogie Nights), the ‘80s wave began to rebuild in the 2000s, precisely on time.
All week on Vulture, we’re examining ‘80s pop culture, and how it lives on today.
“Get Out Your Shoulder Pads: The ’80s Are Here.” “The ’70s Are So ’90s.
A production of Xanadu ran briefly on Broadway, followed a few years later by hair-band celebration Rock of Ages, which planted its Spandex in Times Square and stayed there for years.
The Killers and Interpol echoed the sound of New Wave, Missy Elliott sampled Run DMC, and music by artists like Andre 3000 and Beyoncé was sonically infused with a streak of Prince’s purple badness.