A Streetcar Named Desire Stanley Kowalski Essay

A Streetcar Named Desire Stanley Kowalski Essay-56
To what extent is Stanley the villain of ‘A Streetcar Named Desire?

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“Such things as art – as poetry and music – such kinds of new light have come into the world since then!For a short while, he plays along with her illusions before suddenly turning on her again.As the scene closes, Williams uses imagery to make Blanche’s terror take on a physical form as ‘grotesque and, menacing shapes’ that close in around her and animalistic sounds can be heard and frightening, sinister ‘shadows and lurid reflections’ appear on the walls, moving like ‘flames’ which mimic Blanche’s nervous movements.At the end of the scene, Stanley mentions Blanche’s dead husband, Allan, unnecessarily; hinting properly for the first time that Stanley has a cruel and villainous side as he clearly intends to inflict emotional pain by making Blanche remember Allan with the comment “What happened?” Another scene in which the audience feel sorry for Stanley is in scene four, when he overhears Blanche trying to persuade Stella to leave Stanley.However, although it appears that Stanley is vindictive and only bringing Blanche down for his own personal gain, one could argue that he is doing it for his relationship with Stella as Stanley would like things to return to the way they were before Blanche arrived.Stanley talks about how he wants their relationship to simply go back to normal: “Stell, it’s gonna be all right after she [Blanche] goes…” Stanley first shows signs of villainy in scene three, through his need to be dominant which foreshadows the conflict between him and Blanche which, later, leads to the rape.Throughout the scene, tension mounts as the atmosphere between the two fluctuates; at the start of the scene, there is a moment when it seems as though Stanley is going to make a friendly gesture towards Blanche, however, when she refuses, the previous animosity between them is restored.Blanche then makes a biblical reference “casting my pearls before swine” which Stanley does not understand and takes as a direct insult.Stanley’s last line “We’ve had this date with each other from the beginning” shows his intent and to a certain extent, Stanley is right when he says this; Blanche and Stanley’s relationship has always been sexual to a certain extent – Blanche was fully aware of Stanley’s intense masculinity and she responded with provocative seductive and sexual behaviour, even admitting to her sister that she knows about sexual desire – “when the devil is in you”.This scene is technically very dramatic in technique and the use of the blue piano and ‘inhuman voices like cries in a jungle’ create a threatening and animalistic effect.

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