He liked to refer to himself as the “so-called managing editor.” He was the magazine’s managing editor until one day in 1954, after a year of organizing things in the office, he left a note in his In-box stating, “Do not put anything in this box.” By this he meant to tell the rest of the staff that he was moving on to something else.He was a Harvard graduate (an editor of the there), with a master’s degree in Comparative Literature.
But, instead of doing what was expected of him, he took to reading to learn for itself.
As its managing editor, he was doing the magazine a favor by remaining aloof from its activities.
These leaders in the profession describe how they work their way through the information glut to find the gems worth writing about.
We also have chapters that provide the tools every good science writer needs: how to use statistics, how to weigh the merits of conflicting studies in scientific literature, how to report about risk.
This is the official text for the National Association of Science Writers.
Great Expectations Essays On Schools And Society - Colin Norman Writing Essays
In the eight years since the publication of the first edition of A Field Guide for Science Writing, much about the world has changed.
The academic community has recently recognized how important it is for writers to become more sophisticated, knowledgeable, and skeptical about what the write.
More than 50 institutions now offer training in science writing.
Humes’s debasement came to his attention when the first shipment of magazines arrived in New York. Down on the wharves he got into the shipping crates where he began stamping the masthead page of the magazine in red ink, half a thousand copies or so, until his arm got tired.
Such was Humes’s indignation that in the next issue he was promoted and he appeared at the top of the masthead—along with Peter Matthiessen, the fiction editor, George Plimpton, who had arrived from Cambridge University at the invitation of Matthiessen to be the Editor and assume the active responsibility for the magazine, William Pène du Bois, the art editor, and Donald Hall, the poetry editor.