Decreation Poetry Essays Opera Anne Carson

Decreation Poetry Essays Opera Anne Carson-30
I felt like a ship going toward the South Pole and then all of a sudden a glacier comes zooming out of the dark, and I just took it down. It’s true, that’s why I go to boxing class, to learn those skills.I appreciate that it’s accurate of what I both have and choose to have as my effect on people. INTERVIEWER You once said you meant in a metaphysical sense. But that’s just, of course, shadowboxing, as they say.But how can we undo self without moving through self, to the very inside of its definition? Anne Carson's Decreation starts with form–the undoing of form.

I felt like a ship going toward the South Pole and then all of a sudden a glacier comes zooming out of the dark, and I just took it down. It’s true, that’s why I go to boxing class, to learn those skills.I appreciate that it’s accurate of what I both have and choose to have as my effect on people. INTERVIEWER You once said you meant in a metaphysical sense. But that’s just, of course, shadowboxing, as they say.

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I do think I have an ability to record sensual and emotional facts—to construct a convincing surface of what life feels like, both physical life and emotional life.

But when I wrote “The Glass Essay,” I also wanted to do something that I would call understanding what life feels like, and I don’t believe I did. INTERVIEWER Or that it might be a failure to you, but a success for everybody else who picks it up?

The undoing is tender, but tenderness can change everything, or so the author appears to believe.

Carson here presents a hybrid collection of works she labels "poetry, essays, and opera" in poetic form and language.

CARSON Well, yes, it couldn’t be physical, could it?

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Canadian venues were considerably less welcoming, and it was not until Carson was forty-two that a small Canadian pub- lisher, Brick Books, published her first book of poems, both in 2002.

Awards and accolades came tumbling in: a Guggenheim Fellowship (1995); a Lannan Award (1996); the Pushcart Prize (1997); a Mac Arthur Fellowship (2000); and the Griffin Prize for Poetry (2001).

During her childhood, the family moved about from bank to bank in small Ontario towns like Stoney Creek, Port Hope, Timmins.

In the 1970s Carson studied classics at the University of Toronto and then ancient Greek with the renowned classical scholar Kenneth Dover at the University of St. In 1981, she returned to the University of Toronto to write a Ph. dissertation on Sappho, which later became — a brief, dense treatise on lack’s centrality to desire.

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