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Iowa Research Online (ISSN 2476-1680 (online)) preserves and provides access to the research and creative scholarship created by the University of Iowa’s faculty, students, and staff.The research papers, theses, dissertations, books, conference presentations, journals, data and multimedia here represent Iowa’s rich intellectual and cultural community.
Satire must be clever, and like many cultural forms, must encourage the awareness and potential intellect of all members of society, religious or not.
At its best, satire not only critiques social values and norms, but provokes change if necessary, positioning individuals to be active participants in social transformation, rather than passive consumers who allow others to worry about their civil liberties and freedom.
The filtered, plastic universe of points the finger at all of us and our inconsistency to uphold spiritual peace within our manic, individualistic consumer world.
In the end, Goldstein’s work not only exemplifies satire, but she has created an alternative space where Gods can live among us, but only in so far that we can see our faulty selves in this made-up reality. “Unmournable Bodies.” , Barbara Millicent Roberts has been a lightning rod for debate about the socio-cultural expectations for female identity.
shootings ignited the polemics of satire as ammunition against religious fundamentalists and marginalized communities most associated with—at least according to Fox News and its ilk—religious extremists.
Satirizing religious and political affairs be done, not only to deepen social consciousness and inspire action, but to reach out to those not easily swayed by abstruse theory and rhetoric.By constructing a cosmetic reality, one that mirrors our own, Goldstein doesn’t evade discussion, but rather creates it.In doing so, Gods and deities, believed to be too sacred for criticism, are personified and whose religious practices contradict their dogma. In fact, there is a sadness in the photos, because without their shrines and shiny halos, the icons are comparable to plastic flowers and bejewelled sunglasses sold in dollar stores—the meccas of consumer overproduction and excess.In disciplines where journals are not the primary form of scholarly communication, dissertations offer access to significant primary research that is not published in any other format and they surface seminal ideas from notable scholars.Pro Quest offers best-in-class customer service, technical support, and training so you can hit the ground running with your Pro Quest products and leverage everything they can do.Largest repository of graduate dissertations and theses 5 million works; grows by 200,000 each year International - content from universities in nearly 100 countries Accessed by thousands of institutions Pro Quest Dissertation & Theses Global is the world's most comprehensive curated collection of dissertations and theses from around the world, offering 5 million citations and 2.5 million full-text works from thousands of universities all over the world.For examples of quality research featured in PQDT Global, see the most-accessed dissertations and theses.Zachary Turpin has recently discovered "Life and Adventures of Jack Engle," a lost novel by Walt Whitman, and it appears in full in the new issue of the Walt Whitman Quarterly Review (WWQR).The novel, previously unknown to Whitman scholars, was published anonymously in a New York newspaper in 1852 and will change the way readers see Whitman's writing career.Muhammad the Prophet is exalted as Goldstein recognizes Islam’s contribution to the sciences long before their European counterparts, juxtaposing “the obvious disconnect between the East, specifically Islamic principles and the West’s secular ideals, which is currently at the forefront of international concern.” Ganesha, the Lord of Obstacles is depicted as a tormented outsider struggling to integrate in a hostile world, an experience Goldstein felt “as an immigrant to Canada [.] I was bullied for being different and for not speaking English—you can see in the photo that what differentiates people is not only what they eat, and how they dress, but also what they believe in.” There is a universality within the alternate world of illustrations on the other hand, depicts marginalized communities, such as France’s 4 million Muslims under the lens of racist stereotypes so detached not only from their religious and spiritual roots, but also alienated from the strained colonial history between France and its former colonies.The illustrations did not contain Islamophobia, but in fact, Islamophobia, and consequently, its backlash.