“Scoring for the Wagner Tuben by Richard Wagner, Anton Bruckner, and Richard Strauss.” D.
“The Horn Music of Alec Wilder: A Survey, with Analysis of his Sonata No.
“The Kenyan Influence in the [Horn] Music of Paul Basler.” DM treatise: Florida State University, 2013. "The Horn in Opera: A Study in Orchestration with a Focus on Selected Operas by Britten and Strauss." D.
“From Hotels to Concert Halls: The Evolution of the North American Orchestra Horn Auditions.” D.
“Three Works for Voice and French Horn with Accompaniment.” D.
“A Study of the Pedagogical Practices, Styles, and Philosophies of American University Horn Professors.” D.
Dissertation University Of Alabama
“Pitch and Harmony in György Ligeti’s Hamburg Concerto and Syzygy for String Quartet [by Charles Corey].” Ph. If you have written or read a thesis that should be in our collection, please contact *Coreil, Kristine Mia. diss., University of Wisconsin, 1999.*Morley, Stephen. “Articulation, Sound and the Improvising Horn Player.” Post Graduate Certificate of Research Preparation thesis, Macquarie University (Australia), 2012.*Stonestreet, Robert James. “A Study of the Pedagogical Practices, Styles, and Philosophies of American University Horn Professors.” D. “Historical Developments in Writing for Low Horn.” Ph. A deposit of .00 US is required for each thesis borrowed. Request can be made online, with the deposit made by credit card or Pay Pal. “Appropriate Choices of Horn Mouthpieces for Players of Varying Levels Based on the Technical Specifications and Design of the Three Principal Components: Rim, Bore, and Cup.” D. “The Horn Parts in Handel’s Operas and Oratorios and the Horn Players who Performed in these Works.” D. dissertation, The City University of New York, 2007. “James Chambers: His Life, Career, and Pedagogy.” D. "The Horn in Mixed-Media Compositions through 1991." D. “Ligeti’s Magic Horn: Parallel Universes of Tuning and Tradition in the Hamburg Concerto.” D. “Francis Poulenc’s Sonata for Horn, Trumpet and Trombone: A Structural Analysis Identifying Historical Significance, Form and Implications for Performance.” D.