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The feminist perspective of West of Everything makes it invaluable to the ongoing critical discourse on Westerns.- The San Francisco Chronicle Jane Tompkins knows her Western through and through; she handles details, events and scenes from novels and movies with skill and surety....
Are there some aspects of this topic which Tompkins omits from her discussion?
Do you think the debate between impersonal and emotion-laden rhetorical methods solely of concern to women?
She brings spirit, energy, freshness and originality to a field of study that has long been buried many feet deep in cliches.
- Patricia Nelson Limerick, The Boston Sunday Globe A passionate and generous book. - Library Journal In explaining how she overcame her prejudices against the Western Tompkins illuminates the genre as few others ever have. Cohen, University of Michigan A daring and confrontational literary essay meant to rattle the peace of mind of just about every cowboy on the face of the earth....
“Over this damp grave I speak the words of my love: I, with no rights in this matter, Neither father nor lover.
” Roethke illustrates the affiliation between the speaker and his student with this line.
The speaker often compares her to birds and plants, giving her in image of innocence, of perfection.
“A wren, happy, tail into the wind, Her song trembling the twigs and small branches…Oh, when she was sad, she cast herself down into such a pure depth, Even a father could not find her.
Elegy For Jane By Theodore Roethke Theodore Roethke’s “Elegy for Jane” is a poem of a teacher’s reaction to the tragic death of one of his students, Jane.
The speaker expresses his sentiments to his deceased student, allotting the fact that he had developed some kind of feeling towards Jane.