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In the third stanza, he looks at the trees surrounding the lovers, and feels happy that they will never shed their leaves; he is happy for the piper because his songs will be "for ever new," and happy that the love of the boy and the girl will last forever, unlike mortal love, which slowly turns into "breathing human passion," and eventually vanishes, leaving behind only a "burning forehead, and a parching tongue." In the fourth stanza, the speaker examines another picture on the urn, this one of a group of villagers leading a heifer to be sacrificed.He wonders where they are going "To what green altar, O mysterious priest...", and where they have come from.
By being preserved from the passage of time, the characters on the urn are also trapped by it, never being able to reach for new joys in the future.
Preservation from time forbids growth which is a key element to life itself.
Turning to Poison while the bee-mouth sips: Beauty must die, joy is fleeting and the flower of pleasure will turn to poison.
This seems to echo the sadness found in Grecian Urn.
It is the "still unravish'd bride of quietness," "foster-child of silence and slow time." He speaks to the urn and not about the urn, he treats the urn like it is listening to him like a human.
He also describes the urn as a "historian," which In the second stanza, the speaker looks at another picture on the urn, this time of a young man playing a pipe, lying with his love beneath a tree.Even the understated sense of inevitable loss in the final line does no seem tragic as the birds will return as the seasonal cycle continues.Instead of joy always leading to sorrow, sorrow will now lead to joy.It is as if the joy of anticipation is overshadowed by the anticipation of the sadness which is sure to follow.In Grecian Urn, time always brings decay; here pleasure always leads to sorrow.‘For ever more’ in line 38 now refers to emptiness.It is as if the vivid, fresh mood of stanza three has been reversed.He imagines their little town, without the villagers, and tells it that its streets will "for evermore" be silent, for those who left it, frozen on the urn, will never return.For the first time the speaker almost seems to relent on the perfection of never changing and, addressing the town directly, seems to hold real and generous feeling that it will always be ‘desolate’.The selection of this particular season implicitly takes up the themes of temporality, mortality and change but whereas the urn’s perfection lay in being immune to the passage of time, autumn’s seems to be that it embraces it.Despite the impending coldness and desolation of winter, autumn is a time of plenty and warmth in this ode.