The Essays Of Arthur Schopenhauer The Art Of Controversy

The Essays Of Arthur Schopenhauer The Art Of Controversy-60
The favour with which the new edition of his posthumous papers has been received induces me, therefore, to resume a task which I thought, five years ago, that I had finally completed; and it is my intention to bring out one more volume, selected partly from these papers and partly from his Parerga.

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The rest of the essay contains instructions on the use of logical fallacies to best ones opponent. I've read Schopenhauer in the past, and I really liked his writing, but I wasn't as impressed here.

He'd state something and then gave an example that didn't seem to relate w An essay in which Arthur mentions that the dialectic is like intellectual fencing, it doesn't matter who is actually right, all that matters is winning by whatever means possible.

The true conception of Dialectic is, then, that which we have formed: it is the art of intellectual fencing used for the purpose of getting the best of it in a dispute."I have to admit that this got better and better the more I read into it.

It started off by talking about the art of dialogue and logic and tricking others with your words but then it got into the swing of it.

Nay, even though they possess some well-founded and authoritative reputation amongst the crowd, they are not long in losing it, together with any personal weight it may give them, since all are blind to the qualities on which it is based, but have their eyes open to anything that is vulgar and common to themselves.

They soon discover the truth of the Arabian proverb: _Joke with a slave, and he'll show you his heels.” • “It is the converse that is true.Eduard Grisebach, who is also entitled to gratitude for the care with which he has followed the text of the manuscripts, now in the Royal Library at Berlin, and for having drawn attention—although in terms that are unnecessarily severe—to a number of faults and failings on the part of the previous editor.The fact that all Schopenhauer’s works, together with a volume of his correspondence, may now be obtained in a certain cheap collection of the best national and foreign literature displayed in almost every bookshop in Germany, is sufficient evidence that in his own country the writer’s popularity is still very great; nor does the demand for translations indicate that his fame has at all diminished abroad.Personal love (for we are not speaking of the reverence which is gained by authority) cannot be won by a man of genius, unless the gods have endowed him with an indestructible cheerfulness of temper, a glance that makes the world look beautiful, or unless he has succeeded by degrees in taking men exactly as they are; that is to say, in making a fool of the fools, as is right and proper.On the heights we must expect to be solitary.”• “The life of the average man is overspread with a dull, turbid, uniform gravity; whilst the brow of genius glows with mirth of a unique character, which, although he has sorrows of his own more poignant than those of the average man, nevertheless breaks out afresh, like the sun through clouds.”An essay in which Arthur mentions that the dialectic is like intellectual fencing, it doesn't matter who is actually right, all that matters is winning by whatever means possible.I must also confess to having taken one or two liberties with the titles, in order that they may the more effectively fulfil the purpose for which titles exist.In other respects I have adhered to the original with the kind of fidelity which aims at producing an impression as nearly as possible similar to that produced by the original.The volume now before the reader is a tardy addition to a series in which I have endeavoured to present Schopenhauer’s minor writings in an adequate form.Its contents are drawn entirely from his posthumous papers.Here were some of my favourite parts:• “Arabian proverb which tells us that on the tree of silence there hangs its fruit which is peace”.• “Finally, it is for the same reason that great superiority of mind isolates a man, and that those of high gifts keep themselves aloof from the vulgar (and that means every one); for if they mingle with the crowd, they can communicate only such parts of them as they share with the crowd, and so make themselves _common_.

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